The reason for that little voice became obvious to me when I looked at the portrait of a very young Henry VIII, from circa 1509, when he was a teenager: Source: Wikipedia Commons. For the full-length portraits… Most of the reproductions only copy the image of Henry, though a copy by Remigius van Leemput of the entire mural is in the Royal Collection, usually on display at Hampton Court Palace. Henry VIII succeeded his father Henry VII to the throne in 1509. by Hans Holbein the Younger ink and watercolour, circa 1536-1537 101 1/2 in. How do we know when these pictures were made? Switchboard: +44 (0) 20 7306 0055, The Gallery in London is currently closed until 2023 for major redevelopment works. The aim of this paper is to offer as full a discussion as possible of the best-known portrait of Henry VII. Further illustrations of the level of detail of the technique can be seen in the photomicrograph images of the fur in both paintings. Anne of Cleves was Henry VIII’s fourth wife, though not his first choice for the role by far. Anne of Cleves marries King Henry VIII, 1540. Henry VII was the son of Edmund Tudor, Earl of Richmond and Lady Margaret Beaufort. Reflect on your own experiences of lockdown through this easy-to-do from home, photographic exercise. x 54 in. NPG 1376 and 3638 also share some technical characteristics: both feature ‘dab and twist’ brushwork in the collar, where lead white was applied with a short brush, dabbed on and twisted as the brush was drawn up. It is, of course, quite possible that this portrait of Henry VIII descended in the Howard family from the outset. On the portrait of King Henry VIII, we see a clever, powerful, confident man, not devoid of charm, gloss and charm. Henry VIII and Catherine of Aragon famously parted on tricky terms, but the National Portrait Gallery announced on Thursday it was reuniting the royal couple after it … One of the principal… It was destroyed in a fire on 4th January,1698, which devastated the royal residence. He assumed power in 1485 having defeated and killed the Yorkist king Richard III at the battle of Bosworth Field, establishing the Tudor monarchy. The two later portraits of Henry (NPG 1376 and NPG 3638) were probably produced at some point between 1535 and 1540, and although they still follow the Burgundian model of a fairly contemplative image of the king within a small format, it is clear that this is the man whom Holbein would turn into an icon. This, the only surviving painting of Henry from Holbein's hand, may also have been a preparatory study. This was made in 1667 for Charles II. [citation needed], The portrait has been called a work of propaganda, designed to enhance Henry's majesty. King Henry VIII, c. 1520. Portrait of Henry VIII is a lost work by Hans Holbein the Younger depicting Henry VIII. He was head of the house of Lancaster after the death of Henry VI and the founder of the Tudor dynasty. Possibly a preparatory study for a larger work, it is painted These "family portraits" were not posed for, everyone together in front of the painter, as one would take a family photograph today. The portrait was probably painted as part of an unsuccessful marriage proposal, as Henry hoped to marry Maximilian's daughter Margaret of … The inscription on the blue ground informs us that the English sovereign Henry VIII was forty-nine years of age when Holbein painted this portrait, on the occasion of the King’s fourth marriage. Was Hans Holbein's Henry VIII the best piece of propaganda ever? Portraiture was the most popular genre in sixteenth-century England, and indeed one of the few available to artists following the schism between the Church of Rome and the Church of England, of which Henry VIII became head. [1] It is not clear where in the palace the mural was located, but it may have been in the king's Privy Chamber or study, where only a very select few would have seen it. By Hans Eworth, oil on 5 oak planks, 229.6 x 124.1cm on display in Trinity College's Hall. Once Boleyn was completed, she started photoshopping the portraits of King Henry VIII and the other wives and launched an Instagram account for her Royalty Now project. Painted on a wall in the royal palace of Whitehall, it depicted King Henry VIII and Queen Jane Seymour. NPG 4690 shows Henry VIII at an earlier age, whilst still married to Katherine of Aragon and before Holbein came to England. The portrait of Henry in a gold slashed tunic (NPG 3638) was also constructed from two boards, but in this case they each came from a different tree. Henry VIII (reigned 1509-1547) by English School.jpg 1,405 × 2,133; 1.07 MB Portrait of Henry VIII is a lost work by Hans Holbein the Younger depicting Henry VIII. But Holbein's success in conveying royal majesty without such specific props is exceptional. The development of portraiture as a genre in early sixteenth-century England, coupled with Henry VIII’s desire to present himself as a powerful monarch whose influence stretched beyond England, meant that Henry VIII’s likeness was far more widely replicated than that of his predecessors. Revisit The Encounter exhibition and learn about Renaissance and Baroque drawing methods and materials. Portraiture was the most popular genre in sixteenth-century England, and indeed one of the few available to artists following the schism between the Church of Rome and the Church of England, of which Henry VIII became head. The spandrels in the top corners contain the Tudor heraldic emblems of the rose and portcullis and the composition consciously imitates the portraiture of the Burgundian court. Henry's clothes and surroundings are ornate, with the original painting using gold leaf to highlight the opulence. The older of the two boards appears to have been felled after 1521 and was most likely used between 1521 and 1553. The portrait of Henry VIII in a dark tunic with a fur collar (NPG 4690) was painted around 1520 and follows the format of earlier portraits of English kings. Fortunately, numerous copies were preserved. 1540. This was used to make an outline of the design on the wall, by pricking holes along the main lines and pushing powdered soot through. It has had a lasting effect on Henry's public image. Portraits were adopted as a symbol of loyalty during the religious and political turmoil of his reign and ownership of a portrait of the king came to demonstrate allegiance to the Crown. Photomicrograph detail of the hair (NPG 1376), Photomicrograph details of the fur (NPG 1376), Photomicrograph details of the fur (NPG 3638). It may well have been commissioned to celebrate the coming or actual birth of Henry's long-awaited heir, Edward, born in October 1537. High quality Portrait Of Henry Viii gifts and merchandise. The mural was thus commissioned sometime during the brief marriage of Henry and Jane Seymour, and was completed in 1537. Henry VIII wife Jane Seymour – new acquisition for National Portrait Gallery Incomplete copy of Holbein work is gallery’s first painting of Tudor king’s third spouse Published: 23 Aug 2019 This posthumous portrait of Henry VIII was possibly painted by Sampson Strong (Garlick, Bodleian Portraits, p. 172).Henry visited Rycote on a summer progress with his new bride, and fifth wife, Katherine Howard in August 1540. So King Henry VIII was in life, but we do not remember it for that. There are also some white strokes amongst these which are very precise and only visible under the microscope. During his marriage to Catherine of Aragon, Henry conducted an affair with Mary Boleyn, Catherine's lady-in-waiting. Nonetheless, the king rarely sat for his portrait and most surviving images are versions copied from patterns. Also surviving is a much smaller half-length portrait of Henry by Holbein that is today in the collection of the Thyssen-Bornemisza Museum in Madrid. Mad Magazine depiction of Henry VIII eating what appears to … King Henry VIII. Henry VIII (1491-1547), king of England (1509-47), who presided over the beginnings of the English Renaissance and the English Reformation. There has been speculation that Mary's two children, Henry Carey and Catherine Carey, were fathered by Henry, but this has never been proved, and the King never acknowledged them as he did in the case of Henry FitzRoy. [7], Harold Arthur Lee-Dillon, 17th Viscount Dillon, List of paintings by Hans Holbein the Younger, Cultural depictions of Henry VIII of England. [3], Henry recognized the power of the image Holbein created, and encouraged other artists to copy the painting and distributed the various versions around the realm, giving them as gifts to friends and ambassadors. He is well known for his six marriages, and for ordering the dissolution of religious houses which took place between 1535-39. 1536. Unknown Artist. Choose your favorite portrait of henry viii paintings from millions of available designs. Artist biographical information: This portrait is a copy of a scene painted on the Whitehall Mural, created by Hans Holbein in 1537. It is one of the most iconic images of Henry and is one of the most famous portraits of any English or British monarch. This full-length portrait of the king (once again, we have the familiar Holbein pose of one hand clutching a glove and the other resting above a jeweled sword) is part of the Royal Collection. [2], Henry is posed without any of the standard royal accoutrements such as a sword, crown, or sceptre. "Portraits of Henry VIII: The Whitehall Mural", "Tudor and Stuart Portraits From The Collections of the English Nobility and their Great Country Houses". It was commissioned and bequeathed in 1567 by Robert Beaumont, one of the first Masters of the college. 15-nov-2013 - Portrait of Henry VIII. Attention from the world has been brought to shine on the Duke of Buccleuch’s art collection in the last decade. It deliberately skews his figure to make him more imposing. Private Collection, France. Discover our BP Next Generation short films made by artists. Comparisons of surviving sets of Henry's armour show that his legs were much shorter in reality than in the painting. The painting was originally paired with the portrait of a woman, and the pair were traditionally known as King Charles VIII of France and his wife, Anne of Brittany. Oil on wood. National Portrait Gallery, St Martin's Place, London, WC2H 0HESwitchboard: +44 (0) 20 7306 0055, Find out more about the Inspiring People project, National Portrait Gallery, St Martin's Place, London, WC2H 0HE This date range can be narrowed down through stylistic and structural analysis and through assessing the likely age of the sitter, and as a result this painting has been dated to circa 1520. Holbein’s Portrait of Henry VIII (c.1537) There is a strong and seemingly growing belief among those who study portraiture that patrons, especially in the pre-modern era, stipulated how they should appear and that the composition was as much influenced by the sitter as by the artist. Inspired designs on t-shirts, posters, stickers, home decor, and more by independent artists and designers from around the world. For many years this painting was owned by the Spencer family and housed at Althorp. Holbein's Whitehall Mural (see page 2) and the Holbein portrait of King Henry VIII, which now resides at the Thyssen-Bornemisza Museum of Art in Madrid (below), set the standard for the Henry VIII portraits painted after.Here are the busts painted after Holbein. It is likely that it also served a traditional purpose and may well have been commissioned as a gift for a visiting diplomat or an English courtier. Dendrochronological analysis (tree-ring dating) can be used to date the wooden support of a painting, and therefore, to suggest when the portrait was painted. It was destroyed by fire in 1698, but is still well known through many copies. Portrait of Henry VIII. (1491-1547), Reigned 1509-47. The inscription on the blue ground informs us that the English sovereign Henry VIII was forty-nine years of age when Holbein painted this portrait, on the occasion of the King’s fourth marriage. King Henry VIIIby Unknown Anglo-Netherlandish artistcirca 1535-1540NPG 3638, King Henry VIIIby Unknown Anglo-Netherlandish artistcirca 1535-1540NPG 1376, King Henry VIIIby Unknown Anglo-Netherlandish artistcirca 1520NPG 4690, King Henry VIII; King Henry VIIby Hans Holbein the Youngercirca 1536-1537NPG 4027. This was the iconic representation of Henry VIII which spawned nearly every other portrait painted of him since, and the image with which we still identify him. The detailed blackwork embroidery is especially notable. All orders are custom made and most ship worldwide within 24 hours. The inscription records that the portrait was painted on 29 October 1505 by order of Herman Rinck, an agent for the Holy Roman Emperor, Maximilian I. Dating from this period are his portraits of The Ambassadors Jean de Dinteville and Georges de Selve of 1533 (National Gallery, London), of Henry VIII, of members of the court, such as Sir Richard Southwell (Galleria degli Uffizi, Florence), as well as Edward, Prince of Wales (National Gallery of Art, Washington). Throughout Henry’s reign portraits were produced by numerous artists; however, few artists were granted sittings with the king and instead relied on a limited number of face patterns. The portrait of Henry in a red slashed tunic (NPG 1376) was painted upon Baltic oak and the support was constructed from two panels from the same tree. Hans Holbein the Younger, originally from Germany, had been appointed the English King's Painter in 1536. ©National Portrait Gallery. Thomas Culpeper (c. 1514 – 10 December 1541) was a courtier and close friend of Henry VIII, and related to two of his queens, Anne Boleyn and Catherine Howard.He is known to have had many private meetings with Catherine after her marriage, though these … Sitter associated with 98 portraits. They vary dramatically in their quality and faithfulness to the original source. (2578 mm x 1372 mm) Accepted in lieu of tax by H.M. Government and allocated to the Gallery, 1957 Primary Collection NPG 4027 Cartoon image with unknown source showing Henry VIII eating a turkey leg. Portraits of King Henry VIII: Hans Holbein and His Legacy. He is easily identifiable though his long nose and small, but very blue, eyes. Financial problems forced the 7th Earl Spencer to sell much of the art collection, and it was purchased by Heinrich Thyssen. The many copies made of the portrait explain why it has become such an iconic image, even after the destruction of the original when Whitehall Palace was consumed by fire in 1698. This possibility is supported by the similarity of the portrait of Henry in a red slashed tunic (NPG 1376) to another surviving portrait in the Society of Antiquaries. In NPG 1376 individual hairs have been put in at the edge of the hat and some of the black paint has been flicked downwards into the hair. First, when the Leonardo da Vinci painting was stolen in 2003 and recovered in 2007, and again in 2008 when a family portrait of Henry VIII and his children was discovered. Face patterns may have circulated amongst artists and workshops. The artists who painted these works have not been identified. The spandrels in the top corners contain the Tudor heraldic emblems of the rose and portcullis and the composition consciously imitates the portraiture of the Burgundian court. [5] The cartoon differs slightly from the final version. It is possible that the artist was adapting a face pattern that was originally intended to depict Henry VII or Prince Arthur as the underdrawn pattern shows the features of a thinner faced man with larger almond shaped eyes. Details of the hands on the right showing the similarity between the two portraits (NPG 1376 and 3638), Photomicrograph details showing the ‘dab and twist’ technique (NPG 1376 and 3638). Palazzo Barberini. It was this likeness that ultimately came to serve as the touchstone image of the king, and it was used as the main pattern for portraits of Henry for the remainder of his reign. The original line of the chin can be seen in the x-ray and with infrared reflectography. Portrait by Hans Holbein the Younger, c. 1536 Henry VIII's first marriage had its origins in 1502 when his elder brother, Arthur, died. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day. Information from a variety of sources elucidates the context in which the portrait was painted and the nature of its iconography; in particular, evidence is presented to show that the red rose was a symbol of great personal significance to Henry. File:Hans Holbein, the Younger, Around 1497-1543 - Portrait of Henry VIII of England - Google Art Project.jpg From Wikipedia, the free encyclopedia Jump to navigation Jump to search In NPG 4690 the drawing to lay out the king’s features was almost certainly traced, which could explain why the picture appears rather formulaic. The portrait of Henry VIII in a dark tunic with a fur collar (NPG 4690) was painted around 1520 and follows the format of earlier portraits of English kings. The portrait was created to adorn the privy chamber of Henry's newly acquired Palace of Whitehall. Biography. His large codpiece and heavily padded shoulders further enhance the aggressive masculinity of the image. The painting also shows Henry as young and full of health, when in truth he was in his forties and had been badly injured earlier in the year in a tiltyard accident. The similarities that exist between the hands in NPG 1376 and NPG 3638 suggest that a pattern may also have been used to mark out the position of the sitter, and working in this way would have facilitated the production of multiple copies. public domain photos of King Henry VIII’s wives from Wikipedia, composite created by author. In 1525, as Henry grew more impatient with Catherine's inability to produce the male heir he desired, he became enamoured of Boleyn's sister, Anne Boleyn, then a charismatic young w… Follow step by step guides in drawing and painting techniques. His legs are spread apart and arms held from his side in the pose of a warrior or a wrestler. Dendrochronology puts the boards at some time after 1530, Unknown location (sold Christie's November 2006), Dendrochronology puts the panels as from a tree felled between 1540 and 1560, This page was last edited on 30 January 2021, at 17:03. For instance Charles Laughton's Oscar-winning performance in The Private Life of Henry VIII was modelled after the swaggering Henry depicted by Holbein.[4]. “Henry VIII And Anne Boleyn Observed By Queen Katherine”, a 1870 painting showing Henry VIII holding a mirror which almost looks to be a turkey leg. King Henry VIII, c.1535. Cornelis Massys Netherlandish Portrait of Henry VIII wearing luxurious clothing decorated with Moresque patterns. However, the drawing was then altered freehand: the eyes and nose were refined and moved lower, and were also made slightly smaller during the painting stage. Henry VIII, c1540, after Hans Holbein the Younger. Three of the Gallery’s portraits of Henry VIII have recently undergone technical examination in order to explore the techniques used in their production. NPG 1376 and 3638 show Henry at a later date, probably his mid-forties, and there are many similarities in their depictions of the king’s features, in particular the small eyes and mouth, the long and narrow nose, and the reddish brown hair worn over the ears with a reddish beard, which in 1519 the Venetian ambassador had reported ‘looked like gold’. The picture appears rather formulaic and was perhaps produced to meet a growing demand for portraits of the king at court. It is one of the most iconic images of Henry and is one of the most famous portraits of any English or British monarch. It was created in 1536–1537 as part of a mural showing the Tudor dynasty at the Palace of Whitehall, Westminster. Stylistically, the paintings have certain Netherlandish characteristics, but the paintings could have been produced in England, either by émigré artists or in workshops of native artists as new skills were acquired when painters worked collaboratively. Media in category "Portrait paintings of Henry VIII of England" The following 41 files are in this category, out of 41 total. https://www.npg.org.uk/.../case-studies/portraits-of-henry-viii 88.5 x 74.5 cm. He was also already suffering from the health problems that would affect the latter part of his life. This suggestion is supported by the survival of other versions of this image in private collections. The only Holbein portrait of Henry VIII to have survived is the half-length panel painting, dated 1536, which now hangs in the Thyssen-Bornemisza Museum, Madrid. Henry VIII (Greenwich, 1491–Westminster, 1547) was a monarch of the Tudor dynasty, succeeding his father Henry VII in 1509.When his first wife Catherine of Aragon, daughter of the Catholic Kings, failed to provide him with a male heir he requested an annulment of … Each of these portraits offers an alternative image of the king to that presented by Hans Holbein the Younger in the Whitehall cartoon in c. 1536-7. The majestic presence is conveyed through Henry's aggressive posture, standing proudly erect, directly facing the viewer. It’s taken off and has over 270 thousand followers. He wears an array of jewellery including several large rings and a pair of necklaces. File:After Hans Holbein the Younger - Portrait of Henry VIII - Google Art Project.jpg; File:Henry-VIII-kingofengland 1491-1547.jpg; File:Holbein henry8 (square crop).jpg; File:Holbein henry8 full length.jpg; File:Walker Art Gallery, Liverpool 2016 - Portrait of King Henry VII.jpg It was destroyed by fire in 1698, but is still well known through many copies. as well as the King's parents, King Henry VII and Queen Elizabeth of York. Portraiture was the most popular genre in sixteenth-century England, and indeed one of the few available to artists following the schism between the Church of Rome and the Church of England, of which Henry VIII became head. Henry was spending vast sums to decorate the 23-acre (93,000 m2) warren of residences he had seized after the downfall of Cardinal Wolsey. Portraits of King Henry VIII: Family Portraits. Major nobles would commission their own copies of the painting to show their loyalty to Henry. For the King's likeness, painters relied on the Holbein portrait in the Whitehall mural ; the children all had their own residences and were rarely at court simultaneously. His eyes read cold calculation, and tightly compressed small lips speak of iron will and intolerance. The 1509 portrait is more poorly executed, but I think the similarities in face shape, proportions, brows, eyes, and especially the nose are striking. His ambassadors searched out all the eligible heiresses of Europe and discovered their king had a very nasty marital reputation. A full-size cartoon done by Holbein in preparation for the portrait group survives in the collection of the National Portrait Gallery, showing only the left-hand third of the group, with the two Henries. Portrait of Henry VIII 1536 Oil on wood, 28 x 19 cm Museo Thyssen-Bornemisza, Madrid: Henry VIII (1491-1547), king of England (1509-47), who presided over the beginnings of the English Renaissance and the English Reformation. In it Henry wears much the same clothing as the final mural, but is still posed in a three-quarters view. Some areas also suggest that some of the artists were working with magnification. How many different images of Henry VIII were produced? The last heartwood tree ring can be dated to 1504, which suggests that the panel was used at some point between 1512 and 1544. The Howard family were without question one of the most powerful and important families at court during the reign of Henry VIII, particularly in the person … The relatively large number of surviving portraits of Henry VIII is testament to this increased level of domestic demand. Although the image of Henry VIII that stemmed from the paintings of Hans Holbein the Younger is now familiar to many, Holbein was by no means the only artist to paint the king’s portrait. King Henry VIII; King Henry VII. 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